Write a Step Outline for a screenplay in 10 chapters.
1. Memory of Things Past
Your protagonist dunking something in his/ her morning coffee.
2. Strange Exile.
3. The Reality of Deceit
4. The World is Not Respectable
5. The Wicked Animal
6. Self-Consciousness is Murder
7. I Rejecting Me.
8. Choosing Delusion
9. The Solidarity of…Continue
Added by Mark McIlrath on July 23, 2018 at 15:24 — No Comments
1. The Devil I Am.
Write a 2 - 3 page Synopsis about a Man/ Woman who finds out he's the Devil.
He doesn't want to be.
Initially comic - think through his line of action.
What is he required to do for this 'job'. What actions?
What are the obstacles? How hard does he try to resist?
Can the Comedy/ Farce evolve into…Continue
Added by Mark McIlrath on July 18, 2018 at 14:53 — No Comments
1. The Present.
Adapt the story of Macbeth where the protagonist is Nietzsche.
- Rewatch Welles' + Kurosawa's version.
i. Or take King Lear + the Kozintsev film.
(Why not watch his Hamlet too?)
Write a Short film (10 - 15 minutes) based on Euripides Medea - but within the context of Brexit.
If Euripides isn't working for you - maybe try Seneca, Grillparzer or Alvaro's…Continue
Added by Mark McIlrath on July 12, 2018 at 14:39 — No Comments
1. Read Homer's Odyssey.
- List the Episodes.
2. Set the Action in your own town/ city in the Present.
- Choose from the Episodes those which serve your purposes - thinking about Locations.
Think of Walter Hill's The Warriors.
Don't be put off by Joyce - you can tell this story in Bergmanesque individual drama (Chamber Films) - reducing the cast to a minimum.
Could this be a…Continue
Added by Mark McIlrath on July 12, 2018 at 14:30 — No Comments
Write a 2 - 3 page Synopsis for a feature script where your protagonist discovers s/he is a character in a Writer's comedy - though s/he wants to think of her life as a Drama.
- When does she discover she's a character/ fiction?
- What does she do?…Continue
Added by Mark McIlrath on July 12, 2018 at 14:22 — No Comments
Cause + Effect
– the consequence of action.
Is there meaning in your (story) world. Or are Beginning – Middle – End ultimately made inconsequential by Time, 3 points on top of one another?
Added by Mark McIlrath on July 11, 2018 at 15:37 — No Comments
Hirst has gone. The mega-exhibition. The greatest hits of the Ancient and the pre-modern worlds. Almost like he'd got a researcher to buy the book and decided to copy them. In Venice, sponsored by billionaire kitsch-addict Francois Pinault.
Venice. Culture deracinated from the power + fear of its roots, its rituals, its crimes + punishments. Disneyfied. Emptied of its original meaning - of all meaning, save that of a selling the the corpse as a commodity.
Mayan. Greek. Roman.…Continue
Added by Mark McIlrath on December 19, 2017 at 16:08 — No Comments
If drama is no more than character revelation through the force of a pressing/ unavoidable plot - then sequencing (SQ) must surely be focused on the conflicts, contradictions and consequences of the character, each SQ revealing his/ her changing view of herself? The self-revelation, often painful, that she is - or is…Continue
Added by Mark McIlrath on February 11, 2017 at 17:17 — No Comments
Careers' Advice for Screenwriters:
The only way you'll find yourself working in a bank will be with a balaclava on. The only way you'll make money writing is with ransom notes.
The Optimist's Guide to Screenplay…Continue
Added by Mark McIlrath on January 22, 2017 at 17:30 — No Comments
Give a Fool a Cross + he'll Mistake Himself for a Messiah.
Script Editor/ Screenwriter seeking salvation.
So you've read Vogler. Then Campbell. Then Fuch's The Death of…Continue
Added by Mark McIlrath on January 11, 2017 at 15:30 — No Comments
'Nichts gibt so sehr das Gefulh der Unendlichkeit als wie die Dummheit'
Ex 1. Day 1.
Get the group to form a circle -…Continue
Added by Mark McIlrath on September 27, 2016 at 19:00 — No Comments
Why are screenwriters so precious about defining what their work means? We avoid talk of meaning with an almost superstitious reverence - that by exposing it it will destroy the writer's muse. Is this not ridiculous?
Let's put 1…Continue
Added by Mark McIlrath on June 27, 2016 at 16:00 — No Comments
Yes - the film script editor has many friends - particularly those you hardly know.
People you met - briefly - at film festivals, at scriptwriting conferences, at film workshops - in those days when you were so avid to network, so impressed by the American tutors and their proselytising of the sub-80 IQ 'Frank Daniel' method of Want…Continue
Added by Mark McIlrath on May 26, 2016 at 15:30 — No Comments
Is there any other?
What would you rather watch - an action-heavy genre piece with paper-thin stereotypes or Fellini's 8½, Antonioni's Red Desert, and Has' Hourglass Sanitorium? Not that I'm loading the dice.…Continue
Added by Mark McIlrath on May 19, 2016 at 15:00 — No Comments
If you want to write a screenplay - if you have a story - then structuring it like a Mystery Play - but doing so without drawing any overt attention to that fact - is a more interesting way of shaping both it and the audience's experience, drawing on more than 1 level of the conscious/ unconscious narrative story trove…Continue
Added by Mark McIlrath on March 20, 2016 at 15:30 — No Comments
Added by Mark McIlrath on February 22, 2016 at 16:00 — No Comments
'All great Truths begin as blasphemies'.
Copyists - plagiarists - mannerists of…Continue
Added by Mark McIlrath on February 14, 2016 at 18:00 — No Comments
'Artistic discipline is a way of refusal. Technique in theatre and the attitude that it presupposes is a continual exercise in revolt, above all against oneself, against one's own ideas, one's own resolutions and plans, against the comforting assurance of one's own intelligence, knowledge, and sensibility. It is the practice of a voluntary and lucid disorientation in the search for new points of orientation...To…Continue
Added by Mark McIlrath on December 31, 2015 at 19:30 — No Comments
Love theatre. Hate theatres.
Is there anything which is not theatre - which is not the manipulation of narratives? Was the News ever not a way to turn tragedy into entertainment, information into propaganda? Are ISIS or ISIL or IS more than delinquents on a personal fantasy where murder confers status and…Continue
Added by Mark McIlrath on December 9, 2015 at 18:30 — No Comments