Together with 40 in Ghent established Visual Artists I'll take part at the 6th edition of 'Open Ateliers
On Saturday the 13th of October
my studio will be open for the general public between 16h.00 and 22h.00
and from 21h.30
there will be a party downstairs.
The next day Sunday the 14th of… Continue
Added by Brantt on September 29, 2007 at 12:30 —
My studio is located in Ghent, more specified in block E of the Leopold Barracks
. Pictures of my studio can be viewed… Continue
Added by Brantt on July 16, 2007 at 19:30 —
I will be participating at 50/25
, a collective exhibition that will take place from the 27th of July till the 5th of August 2007 in and around the Halfmaartstraat into the city of Louvain (be).
JO FOULON - JULIA WLODKOWSKI - EVELIEN VAN STEERTEGHEM - ATHAR JABER - LARA DHONDT - BRANTT - KAROLIEN HAMERS - JOACHIM DEVILLE - TOM… Continue
Added by Brantt on July 11, 2007 at 21:30 —
You can view some pictures of the previous solo exhibition in the Norbertijner Chapel (Ghent) here
Added by Brantt on June 12, 2007 at 20:00 —
in order to devote more time to an empty canvas I'm not going to write any more here. 24.05.08
Added by Charles Olsen on February 8, 2007 at 20:00 —
Willie Doherty: PASSAGE at Alexander and Bonin Gallery
January 6 to February 10, 2007
In his videos and photographs, the Irish artist Willie Doherty uses themes of representation, memory, identity, and surveillance by making references to his native Northern Ireland since the early 1980s. The Alexander and Bonin Gallery is presenting his two new videos, Passage and Empty.
Passage is single-channel installation; the video was shot in an empty field at night and… Continue
Added by Ozkan Canguven on February 7, 2007 at 20:30 —
An Armory Diary
Originally I was going to write about the 2006 Academy Awards ceremony and the films that I have recently seen, but another red carpet event in which I participated last week and my outrage about the most boring Academy awards for years—which gave an award to the untalented Reese Witherspoon and did not recognize the surprising and groundbreaking film Brokeback Mountain—led me to reconsider my subject.
Adrian Brody, Glenn Close, Steve Martin, Bill Paxton, Will… Continue
Added by Ozkan Canguven on April 2, 2006 at 21:00 —
Emily Jacir: accumulations
February 26 – April 9, 2005
Alexander and Bonin
132 Tenth Avenue between 18th and 19th
Since the first time I saw Emily Jacir’s “Where We Come From” piece in the 2003 Istanbul Biennial, I have tried to catch up with her old works and look forward seeing the new ones. Her current show “accumulations” at her new gallery Alexander and Bonin gave me chance to do both with two new pieces; “Inbox (2004-2005)” and “Ramallah/New York,… Continue
Added by Ozkan Canguven on May 1, 2005 at 12:30 —
Peter Hujar is still unknown to many art lovers, but he is definitely one of the masters of modern photography who has his own unique technique of photographing life, death, and the gray area in between. “Peter Hujar,” an exhibition at P.S 1, gives us a chance to see known and never-before-shown photographs in Hujar’s first American museum exhibition since 1990. If you haven’t encountered Hujar’s personal photographs yet, this is a good place to begin.
Added by Ozkan Canguven on March 26, 2005 at 20:30 —
Added by ADARO ART on March 2, 2004 at 18:30 —
The only manifesto of the aesthetics of the Surrational philosophy is the one conceived by Paolo Navale back in 1979...
Please see my www.paolonavale.com to read a lived through approach to the contemporary and latest avant guards that the… Continue
Added by surrazionale paolo navale on August 10, 2001 at 11:00 —
The most effective installation of work at the 2012 Biennial occurs in the “Untitled” Café in the basement of the museum. Directly above the dining area hangs a painting of a vacant floor in the Whitney by the British conceptual art group Art and Language. While not listed in the Biennial’s roster of primary participants, Art and Language have been invited to present an opera co-written by Red Crayola, the experimental art/ rock band, who are. The painting, a flat re-presentation of… Continue
Added by Tom McGlynn on November 30, 1999 at 12:00 —
Issue 43, September 2010
Nothing stays still in Beijing. Traditional buildings get torn down, and artists priced out of studio spaces are forever in search of new ones. It’s a disorientating situation, so what better artist response than a vastly expensive lavatory and room full of fog?
By Charles Darwent
The opposite house is, by a distance of many miles, the finest hotel I have ever stayed in. It… Continue
Added by ArtReview magazine on November 30, 1999 at 12:00 —
New Delhi: First there was natural fibre, then ceramic and now veteran sculptor Mrinalini Mukherjee showcases thirty bronze Continue
Added by Shilpa Abraham on November 30, 1999 at 12:00 —
Peter Campus, Inflections: changes in light and colour around Ponquogue Bay
by Oliver Basciano
A frequent problem encountered with our present relationship with early video art is that of time passed and the speed of technological development. Survey exhibitions become museum pieces, interesting only for the sake of contextualising present day new media practice; the original subtleties and relevance… Continue
Added by artreview.com on December 18, 1009 at 17:00 —