" The painting, The Charm, made in 2015, originated in the bourgeois highly “discreet” charm and these people’s dominance and self-satisfaction but also lack of self-awareness.
The idea came after participating in a snobbish event, it was actually a funeral, with,
as always, the pompous and exaggerated speeches.
The emerging binary digits can either symbolize the passing of time, or present time, or modern digital information, or just the…Continue
Posted on March 23, 2016 at 8:57
Get out from the ” Sardines ”
At a time when more and more people tend to be conformist and where congestion is increasing among the uniformly shaped and where independent thought and action decreases, we must encourage those who dare, at least considering, to leave the can of sardines.
Sure, there are risks, some groups are particularly vulnerable and exposed, but you still have to take the plunge.…Continue
Posted on December 1, 2015 at 8:19
New York Arts Magazine, NY Arts, recently published a post from Hans Andre where he talks about his paintings.
"I do not really like to talk about my painting.
However, just to paint because it is beautiful or aesthetically, I do not find it meaningful.
I’m always looking for different layers in my paintings, ie. different ways for the viewer to see them on.
Ideally is if the viewer over time can see the other…
Posted on March 10, 2015 at 7:55
A series of three, almost as a triptych. I do not like to talk about my paintings, they should only be seen in the eyes of the beholder.
However, a few comments. In “The Dance “some got associations with an auctioneer or smokestacks in NYC. In “The Process”, a pumping heart and in “The Departure” either to Auschwitz-Birkenau or a woman's womb ....…Continue
Posted on October 15, 2014 at 15:45