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Comment by Alexandre Hypólito on March 18, 2012 at 0:09

War Games

Comment by Alexandre Hypólito on January 10, 2012 at 12:44

Comment by Alexander Sutulov on November 28, 2011 at 21:18


registro fotográfico montaje Edificio Neruda, Nueva Las Condes, 19 de noviembre de 2011

Tierra Pacífica” / Serie Los Andes: columna vertebral de América
Tinta Ultrachrome sobre tela (2.40 x 8.00 mt)

Estudio morfológico de la Cordillera de Los Andes donde se aprecia en su macizo central, el Cerro el Plomo y sus formaciones colindantes que circunscriben el valle de Santiago del Nuevo Extremo. Hacia el frente, se pueden apreciar formaciones rocosas que caracterizan el litoral central, propias de una geografía accidentada cuyas capas tectónicas son de origen volcánico. En el centro de ambas composiciones surgen ondulaciones con aguadas de Tusche (pigmento de alta densidad) que sugieren de manera inusitada el Océano Pacífico. Lo anterior nos hace reflexionar sobre la prehistoria geofísica de Chile, donde el valle central fue en algún momento parte del océano.



montaje mural Tierra Pacífica / Edificio Neruda

Pacific Land” / The Andes: Vertical Column of America Series
Ultrachrome ink on museum canvas (2.40 x 8.00mt)

The Andes Mountains morphological study where in its central view, El Plomo summit can be recognized and its surrounding mountain range encompassing the valley of Santiago del Nuevo Extremo. In the foreground, rock formations can be observed which identify Chilean central coast line inherent to dramatic landform whose tectonic layers are of volcanic origin. In the middle of both compositions, Tusche water washes undulations make reference to the Pacific Ocean. The previous is a reflection upon prehistoric Chilean geography, where at one point in time, the central valley was part of the ocean.

Tierra Volcánica” / Serie Los Andes: columna vertebral de América
Tinta Ultrachrome sobre tela (2.40 x 8.00 mt)   

Visión apologética del mundo Andino como una cultura volcánica. Si bien la actividad volcánica se extiende a lo largo de toda la Cordillera de Los Andes, la singularidad de Chile está en primer lugar por su número de volcanes, más de 2.900 de los cuales 80 de ellos están activos. Junto con lo anterior, el gran número de volcanes están ensimismados sobre un abismo que es el Océano Pacífico, cuya cuenca está prácticamente en su totalidad bañada por la corriente de Humboldt. Lo descrito hace que Chile tenga una temperatura específica baja en una cantidad extraordinaria de latitudes. Consecuentemente, es la razón principal de por qué nuestro país tiene uno de los mejores climas del mundo.



montaje mural Tierra Volcánica / Edificio Neruda

Volcanic Land” / The Andes: Vertical Column of America Series
Ultrachrome ink on museum canvas (2.40 x 8.00mt)

Apologetic vision of the Andean World in the form of a volcanic culture. Although volcanic activity constitutes great part of The Andes mountain range, the particularity of Chile is in the first place, the number of volcanoes, more than 2.900 where 80 of them are currently active. Together with the above, a great number of volcanoes are absorbed by the Pacific Ocean Rim abyss, whose basin is practically in its totality washed by the Humboldt Current. The described, allows Chile a low specific temperature throughout an extraordinary amount of latitudes. Consequently, it’s the principal reason why the country has one of the best climates in the world.    



Vista Nueva Las Condes 

Los murales anteriormente descritos creados por el artista chileno, Alexander Sutulov, tienen como propósito introducir un nuevo concepto de instalaciones permanentes para espacios públicos tanto institucionales como corporativos. En el caso específico de Nueva Las Condes, el artista tiene un especial interés dado su unicidad como espacio urbano. En una publicación reciente en Visual Artbeat Magazine, una publicación especializada en arte en Salzburgo, Alexander Sutulov da cuenta sobre el futuro que le depara a la ciudad de Santiago como capital financiera en Latinoamérica y lo importante que resulta entender el posicionamiento de Chile frente el mundo. En este sentido, gran parte de su obra ha estado dedicada precisamente a la identidad de nuestro país y su implementación en espacios estratégicos. Frente lo anterior, el artista resume el complejo de edificios corporativos en Nueva Las Condes  como la respuesta más coherente al nuevo paradigma; lo cual invita y posibilita exhibir obras que no solamente hablan sobre nuestra identidad, sino además, se proyectan con fuerza hacia un futuro que singulariza a Chile como una estrella en el Hemisferio Sur.

The described murals created by Chilean Artist, Alexander Sutulov are part of a new concept of public permanent installations for corporate and institutional entities. In the specific case of Nueva Las Condes financial district, the artist has a special interest considering its urban planning uniqueness. At a recent art magazine publication in Salzburg, Visual Artbeat Magazine; Alexander Sutulov writes about the future of Santiago as a financial capital for Latin-America and the importance of understanding Chile’s positioning vis-à-vis the rest of the world. In this respect, great part of his work has been precisely dedicated to Chile’s identity and its implementation for strategic public spaces. All things considered, the artist resumes the business center building complex in Nueva Las Condes, as the new paradigm’s most coherent respond; which in return, invites and makes possible exhibiting artwork which not only speaks of our identity as a whole, but also, projects itself with a singularizing force where Chile emerges as a bright new star in the Southern Hemisphere.




EDICION CHILE BICENTENARIO 2010
LOS ANDES: COLUMNA VERTEBRAL DE AMERICA

Como una manera de hacer accesible al público los murales recientemente instalados: Tierra Pacífica y Tierra Volcánica de la serie Los Andes: columna vertebral de América en el Edificio Neruda, Nueva Las Condes, Santiago, Chile; Atelier Alexander Sutulov ofrece, de manera exclusiva, ediciones suite de ambas obras que conmemoran el Bicentenario de Chile 2010 con las siguinetes especificaciones:



 CHILE BICENTENNIAL EDITION 2010
THE ANDES: VERTICAL COLUMN OF AMERICA

To make more accessible to the general public the recently installed murals: Pacific Land & Volcanic Land from The Andes: Vertical Column of America Series at the Neruda Building in Nueva Las Condes, Santiago, Chile; Atelier Alexander Sutulov offers an exclusive closed edition suite of both works commemorating Chile’s 2010 Bicentennial with the following specifications:




 




“Tierra Pacífica” & “Tierra Volcánica” / Serie Los Andes: columna vertebral de América

Impresión                           : Tintas UltraChrome K3 negro matte / filtro UV
Sustrato                             : cartulina calidad museo Entrada Rag Natural 300g
Dimensiones Papel              : 16,5cm x 38cm c/u
Dimensiones Imagen           : 11cm x 36cm c/u
Marcas                               : número de edición, título, cuño y firma del artista
Edición                               : 40 pruebas de artista, 210 ejemplares enumerados de 1/210 – 210/210
Portafolio                           : cartulina murillo rotulada + cinta tricolor
Interior                              : hoja de separación + certificado de autenticidad

*Para mayore información, puede contactar el artista en el siguiente correo:
sutulov@vtr.net 


“Pacific Land” & “Volcanic Land” / The Andes: Vertical Column of America Series

Printing                             : UltraChrome K3 matte black inks / UV filter
Substrate                           : museum quality paper Entrada Rag Natural 300g
Paper Size                          : 16,5cm x 38cm each
Image Size                         : 11cm x 36cm each
Paper Marks                       : edition number, title, artist chop and signature
Edition                               : 40 artist proofs, 210 edition proofs enumerated from 1/210 – 210/210
Portafolio                           : Murillo portfolio cover + tricolor ribbon
Interior                              : separation sheet + certificate of authenticity
       
*For further inquiry, you may contact the artist at the following e-mail:
sutulov@vtr.net 

Comment by Garrett Lynch on October 25, 2011 at 11:28
Response from Artreview about the petition against censorship on user profiles has not been forthcoming. 

http://www.ipetitions.com/petition/artreview-isp-censorship/

Artreview have been informed of the petition by email and recorded delivery letter which they accepted so we now know they are aware of this.  It seems Artreview care very little about this issue or the concerns of their community, at least not enough to have the courtesy to form a statement and update their community, an update they promised in the initial announcement.  Active members who are genuinely concerned about this now have two choices:

1) Increase the pressure on Artreview to make some statement;
2) Or more severely to pull out of Artreview, after all without members Artreview won't have a community.

If you chose the former I have made the letter sent to Artreview available online for anyone to download, sign with their details and post to Artreview in London.  Here it s in .doc and .rtf formats:

http://www.asquare.org/artreview/artreview-letter.doc
http://www.asquare.org/artreview/artreview-letter.rtf

The latter is and should be your personal choice.
Comment by Garrett Lynch on October 1, 2011 at 21:42

Members, I have now formally forwarded the petition on censorship to Artreview.com as an email (below).  If no response is received I will also forward the petition by post.  Hopefully we will have a positive respond soon.

 

---------

 

Dear Artreview.com

As a representative of a number of members of the artreview community, subscribers to the magazine and users of the website, I would like to draw your attention to a petition objecting to the censorship of our art dictated by your ISP as stated in your community announcement of the 6th of September 2011.

http://www.ipetitions.com/petition/artreview-isp-censorship/

We feel that this is yet another example of creative expression suppressed by the rules and regulations of corporate institutions and does not reflect or demonstrate understanding of the long traditions, histories and well established thematic and theoretic concerns of art.  Nudity in art has, is and will continue to be a subject matter of significant importance which reflects many of the concerns of the human condition.  We feel that it is poor form that you, a well established contemporary art magazine who itself has supported cutting edge and sometimes controversial art are allowing your provider to dictate what is 'acceptable' art and surprised that you have not considered how this issue might be dealt with as your online community grew. 

We understand that you have a contractual relationship with your ISP who regulate use of its servers and will be unlikely to effect change of their policies and so request that you consider changing your ISP to a more art community friendly provider rather than censor and possibly stunt what is a blossoming community.  In addition we request a statement from Artreview.com confirming how this issue is being resolved and as indication of support for artists' rights, your community members, to choose their modes of expression.

We hope that this petition will be seen by you as it is intended, an indication of concern on your community members part and that you will protect your constituency.

Sincerely
Garrett Lynch

Comment by Alexandre Hypólito on September 22, 2011 at 16:16
Comment by Garrett Lynch on September 8, 2011 at 17:39
In response to Artreviews community announcement of user content censorship on the 6th of September I have created an online petition to gauge interest in how the community feel about this.  To read the full details of the email (you have by now most likely received a copy of this in your email) and sign the petition point your browser to:

http://www.ipetitions.com/petition/artreview-isp-censorship/

Please forward this to lists, family, friends, colleagues etc.

regards
Garrett
Comment by ridwan rau rau on August 15, 2011 at 4:27
Comment by ridwan rau rau on August 15, 2011 at 4:25
Comment by ridwan rau rau on May 18, 2011 at 6:16
 

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