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the dated art research group

What features make a work of art date and what features, if any, help a work resist this process of cultural ageing. Could we curate a exhibition of dated contemporary art? What works would you nominate?

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Latest Activity: Jul 9, 2011

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Comment by International ArtExpo on May 25, 2011 at 15:16

Call for Artists: Next Identities  .  Canada – Poland
Deadline: July 01, 2011

International ArtExpo is selecting all interesting video/short.films to include in the next 2011 Exhibitions:

- Next Identities at Studio Beluga in Montreal, Canada (August 16 – 21, 2011)

- Next Identities at Kobro Gallery in Lodz, Poland (September 26 – 29, 2011).

The deadline for applications is July 01, 2011.

The selections will be based on the main concept of “Next Identities”. This project is about temporary roles in changing rules, thinking about liquid borders in new evolving worlds.

The number of works with you can participate is unlimited. All works must be on DVD (PAL or NTSC), no matter what the original source medium. The maximum length of videos should be 10 minutes. Send your video submissions (Name/Surname, City/Country, Film title, Running time, Brief film synopsis) with a CV/biography, videography and an introduction about the piece to:

Luca Curci Architects
Corso Vittorio Emanuele II, 33
70122 Bari, Italy

The participation in International ArtExpo events requires an entry fee for every artwork submitted and selected in every exhibition. Participation open to: professional artists, architects and designers, associate groups and studios.

International ArtExpo is a not for profit organization that provides a significant forum for cultural dialogue between all artists from different cultures and countries. We depend on the support of you. ArtExpo is grateful to all of the institutions, corporations, and individuals who support our efforts. We work with a number of national and international galleries as well as publishers, museums, curators and writers from all over the world. We help artists through solo and group exhibitions, gallery representation, magazine reviews and advertisements, press releases, internet promotion, as well as various curatorial projects.

Thanks for all,
Luca Curci
Director

International ArtExpo
Corso Vittorio Emanuele II, 33
70122 Bari (Italy)
+39.0805234018
+39.3387574098

lucacurci@lucacurci.com
www.lucacurci.com/artexpo

Comment by mike hinc on January 14, 2011 at 18:12
I think we ran out of things to articulate........
Comment by Katelyn Alain on January 14, 2011 at 17:58
These are some wonderfully articulated and yet totally dated thoughts.
Comment by N.S.VALLUVAN on September 7, 2010 at 9:32
TRANSCENDENTOGRAPH
Comment by Rob Van Beek on July 25, 2009 at 11:11
On a different tack. Perhaps works of artworks date with the generation that produced them and with the audience that was associated with them? Perhaps some works are more strongly associated in this way and some less so?

There is a strong displacement effect in contemporary art. The market is structure on a highly pointed elite model. There is so little room at the top than no one can stand on top of it for long.

Many 'established' artists are established in critical terms but not financially. Art investors and collectors have to spot rising artists whilst they are still cheap. The assumption is always made by curators, historians and critics that contemporary art continues, like a unstoppable lava-like ooze, which it is their job to segment and present in narrative themes.
Comment by Rob Van Beek on July 22, 2009 at 20:41
I sometimes think we could do with exploring other images and metaphors of creativity. The 'modern' image is of a creative source gurgling into the open from hidden depths. Datedness, derivativeness etc. is being downstream and dependent on someone or something else's originality and genius.

An alternative image might be the hydrological cycle. Rain on a hillside collects to become something distinct and visible from something less distinct and less visible. If the stream didn't form in one place it would form in another close by. You can take streams as origins but this is somewhat arbitrary. Why not clouds or oceans etc. Perhaps there is no entropy or loss in art and culture. Perhaps you can see it as a closed system, circulating within itself. Perhaps it's all just grist to the mill.
Comment by mike hinc on July 15, 2009 at 10:06
Your posts are always so lucid and thoughtful, Robert. They always demand a response even when I think you are psychologizing or off target or IMHO just plain wrong. If ever I don't respond you can put it down to and be grateful for the fact that I'm kinda dumb and think very slowly.......which is what I'll now do.........
Comment by Rob Van Beek on July 15, 2009 at 9:44
I've often noticed that my ears are much more open than my eyes. I can enjoy new music as interesting noise but I resist some art with all my critical faculties.

I suspect this is because, however marginalised I might be, I still feel I have certain vested interests in the course of contemporary art. Several times I've been on the losing side in art history. I've seen 'my side' quashed and consigned to the bin of history. Art history is written by the victors as much as any other kind of history.

It is hard to identify with the dated because it suggests our own transitory nature. The ideology of the contemporary is that somehow we can always transcend this nature by throwing another generation at the problem...
Comment by yrealydad on July 13, 2009 at 6:53
Sorry, I cannot answer yet...Duchamp boring!!! I´m still shocked...moreover...I think minimalism is fun only if you don´t get bored by Duchamp...in fact, art is fun thank´s to Duchamp!!!
Comment by mike hinc on July 11, 2009 at 23:12
That's funny 48073...I think Minimalism in general and Judd's work in particular is totally brown rice wholefood of the carrot flapjack variety and straight from Rob's pet shop.
 

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